On July 25-26, from 8:06 p.m. to 2:42 a.m., an Auricon 16mm camera was rolling steadily and (but for three reel changes) uninterruptedly. Shooting at 24 frames-per-second b/w, the in-progress film’s controversial director along with his crew were situated in the offices of the Rockefeller Foundation on the 41st Floor of the Time-Life Building. Nine [...]




